 iMAL, Brussels, August 19, 2010
Yves Bernard has been the manager of iMAL (interactive Media Art Laboratory), a Centre for Digital Culture and Technology in Brussels, since 1999. In 2007, iMAL started to organise exhibitions, conferences, concerts and present works of performance art and allows artists to have access to a workspace for research and experimentation for and with new technologies. As part of the Obsolete Equipment project,... |
 Bay Area Video Coalition, San Francisco, June 8, 2011
After a background as a Unix systems administrator, Mark Hellar became involved in the context of media art when working at the Bay Area Video Coalition1 in San Francisco and the San Francisco Art Institute... |
 WDA head office, Paris, May 7, 2011
Mathieu Charreyre founded the WDA association with two friends since childhood in 1996, with the ambition of creating France’s first information technology heritage museum. Today, the WDA’s collection includes several hundred computers, game consoles, calculators, games and programs from the 1970s to the present day. Over time, the WDA and its members have developed a wide range of activities and services based on their... |
 Brussels, April 5, 2011
Tabea Lurk and Jürgen Enge are both teachers in the Hochschule der Künste Bern in Switzerland and in the Staatliche Hochschule für Gestaltung Karlsruhe in Germany. They work together on the preservation of digital art since 2006 in the framework of projects such as AktiveArchive. Together, they have developed strategies and concepts to document and preserve computer-based artworks facing the obsolescence of their hardware and software... |
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